ARRI 35-2C (PAIR) S35 PL Tobin TXM-21AB TCM2, Norris Timelapse, 24v Regulated NK Block Power (CLA)

Name: ARRI 35-2C (PAIR) S35 PL Tobin TXM-21AB TCM2, Norris Timelapse, 24v Regulated NK Block Power (CLA)
Brand: ARRI
Price: 15000.00 USD
Availability: InStock

ARRI

$15,000.00 USD

~~$30,000.00 USD~~ $15,000.00 USD

$15,000.00 each

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ARRI 35-IIC (PAIR)

Old School's rare camera pair package, fully serviced CLA'd ARRI 35-IIC 4perf Super 35 PL closely matched cameras, Professional cine-ready loaded and refurbished 400' ft magazines w/ upgraded steel gears. Camera 1 of 2 comes with Sync Sound Speeds with customized Power Regulator 24v, Tobin TXM-21AB Crystal Speed Motor Base and TMC2 milliframe speed control. The package also includes your ARRI Studio Follow Focus and a complete NORRIS intervalometer system for Time Lapse. (Ask Chat + Add Tripods, Handheld, Filters, Matteboxes, Lenses, Video Systems, Monitors, Wireless Video and more....)

12, 24, 25, 30, 40, 50 Fps (Crystal Speed)
001 Fps increments to ~ 140 (Read Disclaimer)
Power Regulator 24v w/ Magazine Package

PACKAGE 1 of 2 INCLUDES:

(1) ARRI 35-2C 4P S35 (Body)
(1) ARRI Wide Field Eyepiece
(1) ARRI FF2 Studio Follow Focus
(1) TOBIN TXM-21AB (Crystal Motor Base)
(1) TOBIN TCM2 (Milliframe)
(1) TOBIN DE9 ARRI 2C Cable
(1) NORRIS Intervalometer System & Cables
(1) ARRI 3p XLR Power 12v
(1) ARRI 35-3 Ground Glass
(1) ARRI 1.33 TV Safe/ Trans
(1) ARRI Flat Base
(1) ARRI 35-2C Door
(1) ARRI Rubber Eyecup
(3) ARRI 400 ft magazines
(3) ARRI Metal Take-up Core
(3) ARRI Plastic 35 Core
(1) ARRI Port Cap PL
(1) ARRI Body Cap
(4) ARRI Shipping Case
(2) NK NH1428 BLOCK
(1) NK Single Charger
(1) NK Charger Cable
(1) REGULATOR 24v 3p XLR
(1) CABLE 3p XLR Power 6'

Old School's rare camera package 2 of 2 are also fully serviced CLA'd ARRI 35-IIC 4perf Super 35 loaded with refurbished 400' ft magazines w/ upgraded steel gears. Variable Speeds with customized Power Regulator 24v, The package also includes ARRI's original Variable Motor and Flat Base (Ask Chat + Add Tripods, Handheld, Filters, Matteboxes, Lenses, Video Systems, Monitors, Wireless Video and more....)

1-80 Fps Variable Speeds

1 to 30 Fps (12v) Variable
30 - 80 Fps 2(12v) Variable

PACKAGE 2 of 2 INCLUDES:

PACKAGE INCLUDES:
- (1) ARRI 35-2C S35 Body
- (1) ARRI 35-3 Ground Glass
- (1) ARRI 1.33 TV Safe/ Trans
- (1) ARRI 2p 4p XLR Power Cable
- (1) ARRI 2p 4p XLR Adapter
- (1) ARRI 35-2C Flat Base
- (1) ARRI Variable Speed Motor
- (1) ARRI 35-2C Door
- (1) ARRI 25mm Eyepiece
- (1) ARRI Rubber Eyecup
- (3) ARRI 400 ft magazines
- (3) ARRI Metal Take-up Core
- (1) ARRI Port Cap PL
- (1) ARRI Body Cap
- (4) ARRI Shipping Case

KEY FEATURES

The Arriflex 35 2C (Arri 2C) configured for 4-perf Super 35 is a classic, mechanical MOS (motor-only-sync) camera. When paired with the Tobin TXM-21Ab crystal motor and TMC2 controller, it transforms from a variable-speed handheld unit into a precision tool capable of flicker-free filming and frame-accurate timing. [1, 2, 3]

Arri 2CCamera Features (4-Perf S35)

Optics & Shutter:Features a 180° spinning mirror reflex shutter, allowing the operator to see exactly what the lens sees without parallax.
Movement:Uses a single-claw pull-down with registration action (cam-driven) to ensure image steadiness.
Format:The "S35" designation indicates it has been modified with a wider Super 35gate, expanding the usable negative area compared to standard Academy 35mm.
Lens Mount:Historically featured a three-lens turret, though many Super 35 versions are modified with a permanent "hard front" PL mountfor more secure lens attachment.[1, 2, 3, 4, 5, 6]

Tobin TXM-21Ab Crystal Motor

This motor replaces the original Arri wild motor to provide precise crystal-controlled speeds, essential for shooting under flicker-prone lighting like HMIs.[1, 2]

Crystal Speeds:Includes a six-position rotary switch for standard speeds such as 12, 24, 25, 30, 40, and 50 FPS.
Connectivity:Features an RJ-12 or Fischer 11-pin socket to connect external controllers like the TMC2.
Sync Alarm:Includes a light to warn if the camera is running out of sync or if the battery voltage is too low. [1, 2, 3, 4]

Tobin TMC2 Milliframe Controller[1]

The TMC2 is an external accessory that provides advanced digital control over the motor. [1]

Precision Control:Allows for speed adjustments in .001 FPS("milliframe") increments, which is critical for filming computer monitors or video screens without a rolling shutter bar.
Digital Display:Features a bright LED readout that functions as both a tachometer(speed display) and a footage/meter counter.
Phase Button:Allows the operator to "shift" the shutter bar position while filming monitors to ensure it is hidden from the frame. [1, 2]

Typical Kit Specifications

Feature [1, 2, 3, 4, 5, 6]	Details
Film Capacity	200 ft or 400 ft magazines
Power Requirement	Usually 12V DC for standard speeds; higher speeds may require 24V
Weight	Approx. 8.5 lbs for the body and wild motor
Operating Mode	MOS (Not "silent"; requires a blimp for sync sound recording)

DISCLAIMER:

The Arriflex 2C has been used for high-speed, overcranked filming throughout its history, though pushing it to 140 fps (or over 80–100 fps) typically requires specific equipment configurations.

High-Speed Capability: The standard Arri 2C often has a tachometer that goes well beyond 80 fps, and high-speed versions are capable of running at very high frame rates, making it possible to achieve speeds in that range.
Usage in Action: The Arri 2C is renowned for its reliability in demanding, rugged situations, including car crashes and high-impact shots, because of its robust gear-driven mechanism.
Historical Use: The Arri 2C was used as a main camera for many feature films in the 1960s, and its ruggedness made it a popular choice for specialized, high-speed, or MOS (Motor Only Sync - no sound) photography. [1, 2, 3, 4, 5]

Considerations for 140 FPS on a 2C:

Motor Requirements: A high-speed motor is necessary to achieve speeds well over 60–80 fps.
Power and Stability: Running at such high speeds requires high voltage and a very stable setup to ensure the motor can handle the stress.
Noise and Vibration: At high speeds, the camera is extremely loud and generates significant vibration.
Film Stock & Lighting: Shooting at 140 fps means a very high shutter speed, requiring massive amounts of light, often necessitating very fast film stock or large lighting setups.